classic acid and chicago trax from synth extraordinaire ed dmx. not to be missed!

magic waves very own casionova delivers three classic analogue synth-jams from the vaults on this raw, hypnotising and energetic ep. side a consists of the epic italo/electro darkness-into-light spacetrip journey into night, while side b gives us night emotion, a deep-hypnosis darkside italo juno 60 jammer and 1983, a pounding builder of a track resplendent with key changes aplenty and a magnificent release of a chorus that rocks the record all the way through to the finish. buy quick as copies are limited!

brighton s ever-cultured black key label pushes on with another house connoisseur for its next release, namely the venerated scotland-based deep house producer brad peterson. opening up the ep is -monsoon- a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. -sit back- is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. the classy, cultured work continues on closer -cloud remedy- with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. classic but not overly reverential of the past, it s a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.

following his appearance (albeit in remixed form) on the debut 12- from keyboard masher s pleasure unit imprint, norwegian eccentric skatebard is given the honour of releasing the label s second ep. apparently all three tracks are vintage cuts from the archive, previously unheard but original recorded straight to tape in his home studio. there s naturally much to enjoy, beginning with the scandolearic-goes-rave synth-house madness of -react 2 rhythm- - all urgent, swirling beats, epic synthesizer melodies and mid- 90s us garage influences. there s more surging, nu-disco goes-house fare to be found on -it goes on & on (the bassline)-, while -pingu- is a joyous chunk of chugging scandolearica blessed with tactile shaker percussion and a jaunty, rock solid synth bassline.

mystery production unit dj bmx continue their thrilling, no-nonsense adventures in the underground with the conquest of gravity ep for mil. techno-fused roller -warrior within- gets matters underway as thumping bass and ticking hi hats form the fore of the track, marching along over off-kilter bleeps and succinct glitches. the rough n ready aesthetic of the track sets the tone excellently for the ep, leading coherently into -wonders of time- where slight changes and improvisations keep your attention, with dubbed out key jabs that are matched melodically against atmospheric synth pads whirling in and out over crisp percussion clicks. -spinning across the sky- maintains the inspiration for myriad sources, cosmic, dreamy chimes are sprinkled over a tentatively used piano sequence, distorted key kicks and muddied percussion. its the only moment on the ep to include a vocal, and its used beautifully as it floats around the tracks central structure, lending it a spacious and depth-charged feel. -radim world- finishes everything off with a touch of pepe bradock style elegance - the multi-layered arrangements are fluid and dynamic, resulting in well-executed deep house.

stories of prison sees timothy j fairplay returns to emotional response having helped shape the identity of the label in it s infancy with the release of somebody, somewhere back in 2012. a lot of music has come from both artist and label since then, with fairplay s reputation as a solo artist fully established thanks to releases on a myriad of labels. stories of prison is a mini lp rich in the musical intensity fairplay has instilled in all his music to date, yet there is a daring sense of diversity at play too. from the effervescent dubbed out house toughness of opening track -the quay-, fairplay veers into subaquatic breakbeat, deep synth love from outer space chuggers, and other late night sonic treats

the first release on bloc’s new label features the emotive synth-drenched vision of newcomer jake chudnow. the blissed-out exaltation of shona has soundtracked the resurgence of bloc and we are thrilled to be able to make it available in circular format for people. this double a side 12’’ also features the virtuoso prelude to shona, a beatless, ambient exploration of issues which will remain unresolved until the listener embarks on shona itself.

a gorgeous set of synth-driven, beat-bound soundscapes rich in atmosphere and suspense.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

today gregor returns home with two slamming new tracks, both of which are the result of hours of tweaking and testing whilst on the road this summer. midas is built around a stripped back single-riff groove. minimal elements and maximum effect show that gregor still has that midas touch. on the flip and easily living up to its name is disturber. its snarling synth takes centre stage, intimidating and unsettling. but as the kick drum thumps and the intensity builds, disturber suddenly returns to the dark shadows.

sam irl returns to jazz & milk with his latest *free two grow ep*, two years after his last solo release for the label (*slower bavarian ep*, 2012). he has continued to develop his sample- & analogue synthesizer-based music further, keeping things raw and warm at the same time. the ep starts off with the title track *free two grow*, an mpc live jam built around a hypnotic loop slowly developing into a heavy synth-driven deep house tune.

the third issue of raw waxes’ release number four is on the way. after featuring mike parker, haiku, inigo kennedy and korova as remixers of the noisemaker, this time we see abstract division and blind observatory reinterpreting ‘shuttle’, the final track of the series. shuttle starts with a fat kick and a psychedelic synth, bleep and acid elements go back and forth, up and down, appearing from the gloom of the artist’ soul. hi-­&#8208,,,hats, acid and bleep evolve together, embracing acidity and generating a naughty groove. abstract division’s reinterpretation is clearly a 4/4 dance floor oriented. based on the evolution of the acid patterns as a minded loop, the dutch duo adds 909 hi-­&#8208,,,hats and claps, modify the the kick-­&#8208,,, bass structure, reaching a trusted track for exciting moments into clubs. blind observatory’s remix is the gentle side of the record. starting slowly and lightly, the artist sets a mellow synth plus clean hi-­&#8208,,,hats, turning the production into a sweet idm caress. a personal, delicate cut appraising the entire release.

assiduous presents their first vinyl release which is full of deep richness and undiluted soul. side a contains heavy bass, synth stabs and a driving four to the floor beat that keeps the groove while a female vocal emerges later adding a bit of mysticism to the vibe on, meat and potatoes. side b brings to mind the sound of hard work in motion which is what the outfit, assiduous is noted for. an aggressive deep house attribute that is also laced with a soulful female vocal that seems to stir up a spiritual overtone into the mix on, no mo

iib s latest release is an ep from the clandestino crew. first track is a slo mo cosmic melodic acid dub. a beautiful early evening trip. this is remixed by the beat broker who adds a few sublime uplifting west coast sprinkles. the first track on the b side is a solid disco tinged house beauty with synth stabs subtle acid undertones claps and a great sample. the final track is beyond the sun. a mellow eastern tinged sundowner featuring another great sample. this ep really captures the original iib sound and philosophy. a real gem.

refined selector and esteemed producer, steve braiden breaks out on his own with the off out label after some excellent releases for the likes of rush hour and joy orbison s now defunct doldrums label. its a good day when there is some new braiden productions to soak up, and hopefully the establishment of off out will see them appear with more regularity in the future. as an opening statement, apex of the sun s way is a powerful one indeed! the title track is characterised by the sort of rhythmic poise we have come to expect from a braiden production, with searing emotive textures rubbing up against some of the crispest drums heard this year. - solar poise- is equally memorable, with strange ghostly vocals trapped deep in the mix and an unpredictable synth careening around the channels.

the utopia project, yet another one of many pseudonyms for legendary producer rheji burrell of burrell brothers fame. all 4 of the files contained within this ep bear the classic hallmarks and sounds of the burrell brothers signature style, taut drum programming, deep, melodic synth washes, bass-lines from the darkest recesses of nycs streets and dance-floors and an instantly recognizable atmosphere. like much of the brothers output these tracks are designed to be heard either very, very late at night or in the early hours of the morning and are some of the defining sounds of new yorks underground night-clubs in the formative parts of the 1990s. a true underground house record, over 20+ years old and still sounding as fresh and current as ever, file 1 is now available again for 2015, re-mastered and re-pressed with the permission of and in conjunction with the burrell brothers / nu-groove records, new york city.

tasse vom legendären juno60 synth

opening the release is title track trudge , a hypnotic mood-driven composition with an ever-blooming feel throughout its nine-minute duration. traumer employs dusty percussive sounds and a weighty kick drum to create the bumpy groove, while warbling bass licks, menacing synth hooks and processed vocals are layered up to create an intricate progressive feel. following is underlying which takes a different route, this time going into deeper realms with floaty pad lines, jangling rhythms and rumbling sub tones, while classic dub techno stabs are thrown into the mix to create a gritty and understated composition.

the km editions series, admirably helmed by the mysterious keyboard masher, has always been one of the more interesting re-edit/rework labels. past installments have touched on krautrock, disco, balearica, funk, italo and what can only be described as electronic oddities. this sixth volume offers up three more impressively remixed, overdubbed and reedited gems. theres naturally much to admire, not least the omd style woozy synth-pop of stolen shapes (stealing rework), which should tickle the fancy of anyone of a balearic disposition. the same can be said about the immersive, sun-kissed pianos and shuffling grooves of -astral playground. there s also a chunk of silly but, perversely, rather good french cod-reggae in the shape of le cod-, arguably our pick of a strong bunch.

christian viers is fast becoming a prominent name on uk underground house and techno circuits, either as part of lazlo dancehall alongside leon vynehall or his long running a1 bassline project. techno-focused releases on his own label, source unknown captured the attention of the ears behind the newly formed fina white resulting in the bad timing ep, which the label state is a strikingly clear indication of the distinctive direction they plan to take moving forward. title track bad timing is a straight up techno banger whose menacingly melodic low-end tones, relentless thump and rolling toms are the driving force behind its robust and looming groove. without time is a similarly complex percussive cut, but with its jungle inspired arabic horns, trancey synth-lead breakdowns and acid squelches, whilst uk house veteran nail offers a more direct 4/4 take on the track with his typically classy remix.

brought to attention in dj sets from the likes of rustie, jackmaster, and receiving radio support on bbc radio 1 from annie mac, zane lowe, mistajam plus more, *minger* follows darqs previous productions for some of grime and raps most memorable characters, notably tempa ts *next hype* and danny browns *blueberry*. underpinned by crisp 808 drums, a serrated synth riff and doom.

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

after trawler crossing in 2013, cvbox teams up with long time companion and musical soul mate micha freier for his next record. transparency is cvbox through and through with long meandering bass lines and spacey synth climaxes. techno jams that you can dance to with closed eyes

nice price deal !!! keeping up the pressure with their anonymous ep series, r-zone now offer up three more cuts of purely dance floor aligned action. opener you wear the mask of the beast is a mysterious cut with a spooky lead synth, subtle, buried deep drums that are full of implicit energy and build to a heady peak.

for a brief moment turin was italys sheffield, producing an astonishing number of diy electronic groups. in the context of a wider europe, italy has never been thought of as a hotbed of minimal electronic music, but mannequin records compilations danza meccanica: italian synth wave 1982-1987 have shone a light on a scene little heard, even within italys borders. but the history was still incomplete ... some new horizons now must be unveiled, showing that between the years of 1982 and 1984, the city of turin in northwest italy was home to a quiet underground renaissance of experimental electronic music.

is it balearic recordings latest is the reflextion ep from baldelli & rocca. 3 electronic disco bombs and a quality remix from ray mang. rteflextion is a driving synth italo disco stomper. mr mang adds a little acid and a touch odf house. side b s first track is a classically italo disco dancefloor gem lots of symth action a flappy percussion give this a hypnotic quality ready for some smoke drenched dancefloors. out to lunch is a more quircky take on the same theme. like a lost maxi 12 b-side pf an italian elctropop ftrack from the late 80 s. great ep.

having previously kept their re-edit series in-house, leeds-based crate-diggers joe s bakery have invited moton (aka london veterans diesel and dave jarvis) to deliver the latest release. those who ve followed the moton records inc series (active since the 90s) will know what to expect: expert re-rubs of obscure material that get the right balance between dancefloor chops and home listening selections. look out for the odd shuffle and electric piano solos of -moody blues-, the percussive early 80s, synth-heavy live disco brilliance of -zoo- (yes, it s definitely balearic) and the hazy, midtempo disco-funk of -bumps-. it s getting progressively hard to find worthwhile re-edit 12- singles, but this one s a genuine killer

8th vinyl from gilesku series delivers another talent on display. a very intelligent work from one of the most promising slovenian producers you should pay attention to in the future - vid vai. a three track ep opens with an intelligent minimalistic track somewhere out there - this catchy bassline, wicked and smart game of beats will definitely open your mind and take you on a ride. eleos is uncompromising dancefloor bomb with strong acid line, accompanied with warm synth theme which will take you back in time. to conclude this amazing ep, here is hidden projections track, another acidish gem that proves how talented vid vai is.

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

a brand new, strictly limited edition 7inch and digital release from fresh up records, ed dmxs label that specialises in authentically old-school but never heard before synth funk, moog disco and library sounds.

neustadtmusik, with great pleasure, presents two excellent new tracks. dietrich & strolch have created an exquisite, smooth piece of music. the two brothers, who are known for their live sets that take their audience on a journey, have combined their passion for percussions and wicked synth sound perfectly. this track takes you to a deep underground techno dance floor where you find yourself dancing with your eyes closed and drifting away into another dimension, to the ocean, the sun and warm sand between your feet and back. sous sol s track on this release has it all, including a sense of delight that brings out a smile on your face. the rolling bass line brings in mind the siberian express rolling through the cold winter landscape of russia while at the same time there is warmth and the heart gets filled with these warm elements. this rolls parallel to a consistent build up throughout the whole track that makes this composition just perfect.

dj / producer w/releases on farris wheel, smooth agent, poontin & as secret studio. stripped down house gets straight to the essence of deep + refreshing, synth soaked remix by johnny fiasco & 1 more.

docile recordings is an independent artist label that chooses to follow its own identity. docile works to describe the beauty of our existence and depths of our depravity. these tracks represent a struggle to preserve a time and place into the grooves of the only medium that can accurately display our craft. docile is vision kept alive by good will and loyal service. docile recordings number twenty five starts with a soulful bop stumbling around nonsense words that form rhythm in an upbeat minimal jam. track two spirits a moving melody through random digitals and walls of harmonic hypnotics. track three has a childlike appeal with its cheap keyboard and boisterous synth knocking an easy melody through moments of naive transcendence. track four lumbers with a simple sterile funk thats pulled along by a masochistic chant. the names of these tracks are listed below.

frankfurts label embi music calls on the inimitable talents of italian marco cassanelli, who really delivers on the 4-tracker that is the adub ep. a smart and atmospheric minimal jaunt, the original takes the breadth away thanks to its unrelenting persuasion and its penchant for the unpredictable. cushion is another spiky, metallic number whereby the ambiance plays another key role, while fluxion s remix of adub is full of weighty low-end signals and intricate synth work

for our second release in our catalogue we are proud to present a neoteric collaboration between two artists that have blended their respective musical styles to forge a three track extended play that thoroughly underlines our notion of proposing forward thinking aesthetics on one side we have wrong assessment, a young milanese artist that combines gritty synth lines with rumbling drum patterns whilst on the other we have m_rec boss max_m, a well known and experienced purveyor of the genre that delivers his undeniable touch and contribution to the ep, locking down a solid conception of their take on techno this three-tracker dictates a path that takes you from the spacey synths you find on the a sides toe tag where the two artists join forces, to the truly captive nature of max_ms nose out all the way to wrong assessments scaphoid that sums up the three tracks with a dashing rhythm through a percussive use of synthesis

vanguard sound follows up on guerilla soul’s self-titled ep with label co-head chris mitchell delivering feng shui flow. feng shui flow is an exploration into deep harmonic textures in the form of three distinct offerings. a1 primordial gravitational waves- as the name suggests, inspired by the possible discovery of gravitational waves believed to be reverberations of the big bang. staccato bass and drums provide the heavy background for a pulsing bass wave, accented by synths and chords conjuring up visions of interplanetary manifestation. b1 eurínome- melancholic and intensely emotive chords and bass layered with intricate drums to paint this impression of the mysterious water goddess. b2 4th density- a synth heavy offering with several layers of bass, string like patches, and a sprinkling of choral sounds driven by a pair of kick drums into a plane of telepathy, harmony and ascension.

legendary release from rago & farina finally remastered and repressed on fred venturas own imprint - first copies on green translucent vinyl! a fantastic italo-disco bomb with all the ingredients and hallmarks of a true dance floor gem of its era (male vocal, female sensual vocal in foreign language, driving bassline, space aged synth and hard energy).

a truly dancefloor hymn where indie-house gets fused with synth-pop. incl. a signal flow/pattern drama remix

australian synthesizer enthusiast, boogie revivalist and occasional house producer inskwel dons his rarely used cold chillin inkswel alias for this outing on marcel vogels lumberjacks in hell outfit. while the aussie producers disco and boogie influences can be heard on lemonade city, for the most part the ep is a house-centric affair. mercury retrograde melds a midtempo, head-nodding chugger out of backwards synth melodies and analogue sounding beats, while ompai delivers his usual, soft-focus blend of vintage synths and warm, floor-friendly bottom-end. theres a chunkier feel about the heavily filtered disco bump of lemonade city, while degrees in the shade moves from metronomic house throbber to sparse p-funk jacker in the blink of an eye

roots for bloom hits its tenth release and welcomes carlos sanchez & alex kaddour to the label. this ep is made for the floor, its no nonsense, groove based house music at its best. tough basslines drive the a side black freddie s moustache and echoey vocals stab through. on the flip the basslines remain at the forefront of your attention, but this time layered alongside more mysterious synth lines and twisted vocals. with previous releases on the likes of 8bit and poker flat its easy to see why these guys will fit right in at the roots for bloom camp.

together they stir up a tech-funk track which lets the listeners hang on a crazy weird synth-line for a few minutes until the song erupts in a funky bass-heavy tech groove that takes no prisoners!

das zweite album des französischen elektronikers arandel klingt wie ein tribut an den godfather des minimalismus, terry riley, und bewegt sich zwischen benebelter electronica, emotionalem techno und krautrock, wo unterschiedliche tempi, stimmungen und themen miteinander verflochten sind. siehe auch brian eno, siehe oneothrix point never, progressive 70 er synth-epen, 8-bit-soundtracks und john cage. die vinyl-lp erscheint inklusive downloadcode.

repress - mannequin records is proud to present a full length by the philly minimal-synth princess void vision. void vision is a philadelphia-based electronic project helmed by shari vari. it began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. in a rare instance, void vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. the songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own

what better way to follow up andy meechams (chicken lips / emperor machine) huge gino fontaine originals than a duo of remixes from balearic chieftains pete herbert & stratus as one half of reverso 68 alongside phil mison, and in his own right pete has been behind a ton of mesmerising sunrise and sunset workouts, and he’s more than delivered here - crisp and club ready percussion, those stark punk-funkin’ guitars and his trademark synth work all conspire to cook up a storm on the floor martin jenkins and mat anthonys stratus outfit (remember their superb *spring tide ep* on aficionado last year ?) take a pop at the sublime konkondo on the flip and what a masterpiece it is ! a ten minute, utterly absorbing and expertly evolving piece, which flips the darker elements of the original into a mesmerising, cinematic, early 90s style balearic epic.

there has been an emerging uk synth scene for a few years now, with vinyl labels like cyberdance, flight recorder and red laser pushing the sound onto vinyl pretty much alone in the uk. defiant against the odds, their resilience is now coming to fruition as it finally seems the scene is exploding inspiring new generations of synth disco lovers to create labels or parties based on the european output of the scene. an artist that has been associated with all said labels and has been riding the wave even when it was a mere ripple is kid machine.

visonia returns with the anticipated debut album release entitled, impossible romance. commencing with juana de arco, which edges finely the fragile border between expectant angst and hopeful optimism, this opening piece pretty much sets the tone for the album. undulating between the highs and lows of human emotion which beautifully encompasses visonias own conception of art to hold hands and contribute to humanity to give beauty, wisdom, or to simply open the listeners mind in order to reflect and ask questions of ones own self, ones own existence what we have here is at times a poetic soundscape of emotions, feelings, fears and positive expression. the album, in its double vinyl format includes the previously available collaboration with dopplereffekt, namely die reisen, alongside an equally striking collab with new wave/synth pop artist, mad moizel in the form of beat frequencies and late addition to the album – the sleek, driving vision of between lies and real looks

the mighty bohari return with another in their split-single series, showcasing new and exciting artists. we have no idea who barrut fulsara is and he wont tell us a thing - all we know is that he has been in the game for a long time, and that this new moniker is for his excursions into deeper territory. were just happy he chose bokhari as the outlet. joe europe on the flip delivers the kind of synth-laden quirky house that we love at bokhari and were pleased for this beautiful track to finally see the light of day.

as 2014 comes to an end, the london based duo is closing the year with yet another split ep. on the a-side we have vimmes, a low-slung groove with percussive textures that expand gradually and steadily, evolving along shadowy soundscapes and intricate rhythms. its a fine example of holdie gawns personal style, stripped back grooves moving along melodic tones and sound design. micawber on the other side offers a shuffled up house track under the name de jure. syncopated synth lines, lush pads and melodic textures make this an warm, lush early morning electronic affair.

i.vy presents her third release on ther own label, chinese laundry. after the first two volumes, continuing the saga in vinyl on the label, also time she s proposing a release based on the acid sound, in fact, from here come the names of the three tracks of -vol. 3 -, sonically distinct from forms of sound in both the quality of the tone and in the structure, leading to a complete trip right in the underground scene. the a-side exposes two tracks both dictated by a bassline, a sequence of acid accompanied by a drum-machine percussion, the sounds derive from -machines- that have guided the analogue creative artist, exposing grit, intensity and quality defined the synth that has a continuous evolution throughout its duration, with a sound much richer in harmonics. the other side of the coin is the b-side, a product of the collaboration between i.vy & the 90 s peacefrog producer solid state, a true evolution from the first two tracks, while following the lodging acid, the b-side results more aggressive and determined, demonstrating a mindset based on a building techno, with a strong impact on the dancefloor.